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“I didn’t move from Cuba,”

REY ALFONSO

exhibited artistic promise from an early age. 

Forced into Castro’s Army at age 16, Rey served for several months until he gambled on a chance for freedom. After weeks of preparation and with few provisions, he set out for the United States in a rustic boat that he built himself from found or traded materials.

Alfonso landed in Miami but soon settled in San Francisco. Over the next decade he worked with sculptors and metal craftsmen, attaining an exhaustive knowledge of metal design and fabrication while forging his identity as an artist. His talent and ideas were quickly recognized and several of his public works and sculptural signs can still be seen in cities throughout the West Coast. It was his work with aluminum on a large scale commission that first intrigued and later obsessed Alfonso as he developed his present style.

After working extensively with aluminum for over 15 years, Alfonso now utilizes his knowledge of pure pigments and fire in his paintings on Baltic birch. He builds color, through hundreds of layers, distressing the surface and painting it again deepening the thought or memory. Writings carved and burned into the wood recall the traces of lives and languages left by migrants and immigrants as they move from place to place. At times, the words reveal themselves to be lines of poetry, cherished verses from youth remembered even as the artist struggles to recall more. Alfonso’s personal experiences provide the iconography and palette for his work. The paintings bask in a serenity that recalls his early childhood and his fondness for the brilliant colors, hues and textures of antique cars and life in Cuba. "At the same time, the pieces are charged with the excitement of discovery, as well as a sense of being at one with the experience of building a new life in a new land."


Today Alfonso’s work can be found in collections in more than 40 countries.

He has created works for individuals and organizations ranging from the San Francisco Opera House to the Mayo Clinic. In 2010, he was commissioned by Hilton Worldwide to create over 150 works for the private collections of the company’s owners and investors.



The voyage is shared with his wife, artist Patricia DeLeon

VIew Patricia's work here


Visits to the Studio are by appointment. Contact us. Patricia@ReyAlfonsoStudio.com


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